Film
These films might not often directly address the looming menace of Russia, but the tragic history shared by the countries shadows even their moments of happiness, levity, and hope.
A Mexican director sets a British play in a Times Square restaurant and patients talk to their psychiatrists in Paris.
“Four Daughters” calls attention to the complex and admittedly slippery nature of nonfiction filmmaking.
In his latest feature, filmmaker Wim Wenders extols the simple life.
Despite its flaws, “Dune: Part Two” is a grand, sprawling, and deeply intelligent science-fiction epic.
“Drive-Away Dolls” is the worst Coen brother movie ever made.
“Lisa Frankenstein” is the first delightful surprise of 2024, destined for weird girl slumber party greatness in a few years time.
The plight of refugees is given a fairy-tale treatment in “Io Capitano.”
A 100-year-old novel provides the basis for some sumptuous moviegoing.
Nature has long been a perennial topic for cinema and, given the escalation of the climate crisis, the environmental context of these three fine films feels particularly urgent and poignant.
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