Film
Farber on Film: The Complete Film Writings of Manny Farber. Edited by Robert Polito. Library of America, 1000 pages, $40. Reviewed by Justin Marble Film critic Manny Farber’s landmark 1962 essay “White Elephant Art vs. Termite Art” champions the underground, manic, frenzied, messy “termite” films against the by-the-book, consciously significant, pompous and often critically-adored “white…
By Justin Marble “The Beaches of Agnes” At the Coolidge Corner Cinema If a motif exists in Agnes Varda’s sprawling new documentary, “The Beaches of Agnes,” it may just be the art of walking backwards. The 81-year-old director, famous among the art house crowd for French New Wave films like “Cleo from 5 to 7,”…
By Justin Marble November begins the yearly onslaught of studio-groomed Oscar bait, and the amount of coverage that these films will get will probably kill off several small forests. Yet the art house theaters in Boston have, as always, put together a varied and compelling dose of counter programming. These films probably won’t hear their…
By Caldwell Titcomb You might not be aware of it, but the Harvard-Radcliffe Orchestra (HRO) is the oldest symphony orchestra in the country, having begun as the Pierian Sodality in 1808. For the past 45 years, the group was led by composer-conductor James Yannatos, who retired last June. So the HRO on October 24 gave…
By Justin Marble October 1 through 3: Classic Cinema at Museum of Fine Arts: This weekend, the Museum of Fine Arts is showing two classic pieces of cinema. First up is Akira Kurosawa’s “Throne of Blood,” his reworking of Shakespeare’s “Macbeth” in feudal Japan. Then it’s Sam Peckinpah’s “The Wild Bunch,” a 1969 Western that…
For a genre that supposedly expired in the 1950’s, the big band’s vital signs seem remarkably robust here in Boston. By J. R. Carroll A welcome recent addition has been the compositions and arrangements of tenor saxophonist Florencia Gonzalez, which layer vivid sonorities and intricate counterpoint atop Afro-Uruguayan candombe and Argentinian tango. She brings her…
Robert Siegel has an undeniable talent for capturing the desperation and despair of his downtrodden character, but the director never tells us why he is plumbing the lower depths of America’s mania for sports. Big Fan, directed by Robert Siegel, showing at Kendall Square Cinema. Reviewed by Justin Marble Like Robert Siegel’s first script, “The…
by Justin Marble Beeswax, directed by Andrew Bujalski, showing at Coolidge Corner Theatre. Boston native Andrew Bujalski’s third feature film, “Beeswax,” does not reel off the trials and tribulations of superheroes, pirates, serial killers, or giant transforming robots. There’s no killer shark, no Godzilla, no guns, and no aliens. Brad Pitt and Julia Roberts do…
By Caldwell Titcomb There are those who have proclaimed that Christopher Plummer is the greatest classical actor in North America. There is certainly no gainsaying that he has for some time been in the tiny group at the top of the acting profession. Now as he nears the age of 80 he has brought forth…
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