Film
“Lon Chaney is just a master,” says Roger Miller of The Alloy Orchestra, “and the film ‘He Who Gets Slapped’ has everything that he’s great at.”
Director Martin Scorsese’s World Cinema Project is committed to doing the indispensable work needed to save examples of damaged but worthy landmarks of cinema.
“American Hustle” has its flaws, major and minor, but it’s very entertaining and contains some great performances, especially by the female cast members.
“Inside Llewyn Davis” is a watchable if not particularily compelling tale of the never-ending woes of the protagonist, a walking basket case of self-destruction.
The Museum of Fine Arts’ retrospective of the films of Francois Truffaut offers an opportunity to see some rarely screened late works by this master of 20th-century cinema.
The documentary “The Punk Singer” is a welcome, informative portrait of riot grrrl icon Kathleen Hanna, the former lead singer of Bikini Kill and Le Tigre.
For many boomers, the film will be a joyous invitation to wallow in déjà vu. For younger generations, it will shine a light on a time when musicians really thought music could change the world.
There was a moment when I turned around and thought, ‘I am definitely in a Coen brothers movie. This is crazy.’
Though disguised in holiday trappings, 1947’s “The Bishop’s Wife” is about human frailty, thwarted ambition, and the humble rewards that accompany doing the right thing.
Film Commentary: You Know It When You See It — Desire and “Blue is the Warmest Color”
Without its many steamy lesbian sex interludes tarting up what could otherwise be classified as a routine narrative, would “Blue is the Warmest Color” have garnered so many rave reviews and prizes?
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