Film
In The Gambler, Mark Whalberg gives a performance he should be proud of.
Walter is pure evil. Margaret is pure good. And that is Big Eye‘s undoing.
Wild is a compelling stream-of-consciousness narrative that mirrors how we actually make sense of our life experiences as we have them and then remember them.
Exodus: Gods and Kings is a tribute to those overblown biblical movies of the 1950s, albeit with all the eye-candy trappings that today’s high tech special effects can offer.
Our demanding critics choose the best and worst films of the year.
Are men totally useless in Zero Motivation? Well, they can come in handy when you want to use one of them as a sexual object.
Mariana Rondón’s Bad Hair is a beautifully acted film about the stultifying pressures on downtrodden lives.
These are good people who have grown up playing country and pop music and are committed to giving the people what they want.
Tommy Lee Jones’s The Homesman could have been an old-fashioned Hollywood Western. Thankfully, it isn’t.
The irony is that there is precious little theory in The Theory of Everything — no real exploration of Stephen Hawking’s ideas and what makes them so important.
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