Film
Sara Silverman throws herself into depicting Laney’s mental illness and out-of-control life.
Given the precipitous Internet-driven decline of print journalism over the past decade, Spotlight vividly reminds us of the clout of a local newspaper speaking truth to power.
Jafar Panahi’s Taxi is a winning, happy, unhappy, humane little road movie.
Steve Jobs is a one-dimensional film about a terminally self-absorbed character.
I love the inspirational story of Malala, but this film doesn’t dig below the headlines.
Filmmaker Alla Kovgan calls Cunningham 3D a new juncture at the crossroads of dance, cinema, music, visual arts, and 3D technology.
Stray Dog shows us again and again, through its protagonist’s words and actions, that you can’t judge a book by its cover, or its red neck.
Filmmaker Alexandra Anthony’s ambitious debut documentary was, in essence, fifty years in the making.
Divided into three acts and an epilogue, the film attempts to generate Shakespearean resonances, but the presentation is more mundane than tragic.
Film Review/Commentary: “Goodnight Mommy”—We Have Met the Enemy and He is Ours
Two recent horror films know what they are doing: they are intelligent, clever, original, and genuinely disturbing.
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