Film
The President doesn’t try to drum up easy sympathy for its arrogant anti-hero.
Rickman was that rare actor whose low-key intensity was punctuated with just enough hilarity or insanity to make his characters unforgettable.
Land art is an outgrowth of the rebellious ’60s; radicalism taking the form of ambitious topographical rearangment.
The Golden Globes Equation: Glitz + Glamor + Action = Win.
The implausibility of The Revenant is jaw-dropping.
Despite being entrapped in a controlling social order, the sisters behave as most adolescents do: sometimes impulsively.
Here’s one more wrap-up of the year in film.
Charlie Kaufman crafts worlds where people find love in unlikely places, and lose love so easily you’d think they actually want to be miserable.
In his best screenplays, Graham Greene explored the idea of the protagonist as anti-hero well before it became a popular trope in the 1950s and ’60s.
Fuse Remembrance: Bowie on Film — Ageless Enigmas
Bowie the Legendary Rock Star and Bowie the Fashion Chameleon were flashier, bolder, than Bowie the Cinematic Iconoclast.
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