Film
Two new documentaries about teen girls offer much-needed doses of realism and illumination.
Krisha feels as if it was pretty much made-up-on-the-spot, the narrative’s improvisations left in the hands of clueless amateurs.
I appreciate the effort to bring back this rarely seen early Godard. But there are reasons this movie hasn’t been previously revived.
If Owen Gleiberman has any complaint against today’s world of criticism it’s that everyone seems to be speaking in one voice.
Demolition eschews the conventional, spinning its way to a completely unforeseen yet beautifully apt conclusion.
I was finally won over in the last act, when Everybody Wants Some! turns a little emotional, a little “girly.”
“I didn’t want to do anything more then hang out, watch films, have a few drinks and talk about movies.”
Being a gay teen trapped on a rural farm among homophobes who suspect you’re a child molester is a terrifying situation.
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