Film
There was a good energy to the depiction of movie-Woody’s nocturnal odyssey, and a few funny bits.
One of the lessons of the Dead of Winter series at the Brattle Theatre:”The occult is one of many tickets to the revolution.”
Paterson is a movie about how ordinary it may be to see the world in a grain of sand.
Did Martin Scorsese want this film about religious faith to reverberate so faintly, to make its point through such awkward stillness?
Patriots Day provides an intimate view of a heart-stopping week.
William Peter Blatty may have created a comparatively small body of work, but he played a major role in the evolution of American horror.
Search for who you are and stick to it, Mike Mills advises in his films, though it may not always be easy.
Lion’s heart is an exhilarating sequence where Saroo painstakingly discovers his origins.
The restoration and re-issue of Julie Dash’s masterpiece is a valuable reminder that black female filmmakers are still woefully unsung.
This excellent film version of the play Fences meets (even exceeds) the considerable demands of August Wilson’s script.
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