Film
Our demanding critics choose the best (most disappointing) films of the year.
Moviegoers who haven’t thought about Tonya Harding in years may find themselves wondering if they may have judged her too harshly.
If you can accept yet another tour around a love triangle, Wonder Wheel is generally engaging and nearly always entertaining.
This short film exudes a lighthearted, breezy energy that belies the seriousness of its subject matter.
How palpable is the combat in Nowhere to Hide!
I enjoyed God’s Own Country for its realistic style and its unflinching vision of intimacy.
Like going to Mecca, shouldn’t every committed cinephile get to the Carthage Film Festival once in a lifetime?
Filmmaker Salvo Cuccia packs a lot into this tightly framed 2014 documentary on Frank Zappa.
Dorothy Mackaill is riveting as Gilda, a wronged working woman turned prostitute in the no-options depths of Depression-era New Orleans.
With Lady Bird, Greta Gerwig has come up with what will surely be one of the best films of the year.

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