Film

Film Homage: 1932’s “A Farewell to Arms” — A Perfect Movie for Valentine’s Day

February 12, 2015
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Oh, to be a lead character in a Borzage movie. You might expire during the final dissolve into “The End,” but man oh man, you will have loved. And you will have been loved.

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Film Review: “A Most Violent Year” — A Most Masterful Accomplishment

February 9, 2015
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A Most Violent Year is nothing if not intense.

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Fuse Film Review: “Actress” — When Camera and Subject Are Part of the Act

February 6, 2015
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Brandy Burre is a trained actress who is artfully aware of the camera and its power: the director uses her skill as a performer to animate the film.

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Fuse Film Review: 2015 Oscar-Nominated Documentary Shorts — A Spotlight on Heroism

February 6, 2015
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These films demonstrate what’s often so great about documentaries: here’s where you find real courage and everyday heroism, and not in mythic, muscular, blockbusters.

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Film Review: “Mommy” — Motherhood at Hurricane Force

January 29, 2015
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Xavier Dolan’s up-close look at a mother-son relationship has the intensity of a John Cassavetes film — it can be gut-wrenching to watch.

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Film Review: “American Sniper” — Keep Telling Yourself … It’s Only a Movie

January 27, 2015
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American Sniper is classic Clint Eastwood. Dirty Harry vs the bad guys, and the bad guys all look like ‘them.’

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Film Review: “Inherent Vice” — Like an Acid Trip, Secondhand

January 25, 2015
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Inherent Vice is a giddy, trippy potpourri that tries to make a virtue of never quite settling on what kind of story it wants to tell.

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Fuse Film Review: “Selma” — Civil Rights By the Numbers

January 22, 2015
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Selma doesn’t dare to offer the viewer anything new.

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Film Review: “Foxcatcher” — Sports and the Pathology of the 1%

January 15, 2015
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Of all the cinematic indictments of the 1% that have flooded the multiplex in the wake of the financial crisis, Bennett Miller’s Foxcatcher stands as one of the most understated.

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Film Review: “The Imitation Game” — A Delicate Balance

January 11, 2015
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The Imitation Game is a movie that should have made us angry, but it merely makes us sad.

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