Film
The landscape and architecture are beautifully photographed, but more important are the array of faces and the music of the voices.
A slow-motion road to the silver screen: Spinning Man author George Harrar talks about the journey from page to film.
Despite some storytelling flaws, Unsane is ultimately suspenseful, terrifying, and rather haunting.
Watching this film, one is struck at how it is essentially a collection of moments that, taken together, create a satisfying portrait of a life.
The filmmaker chose, wisely, to emphasize Tempest Storm’s fortitude and self-determination.
We’re not in European art film territory here.
Red Sparrow isn’t great in any way, but, at two hours and twenty minutes, we do get our money’s worth of old-school genre entertainment.
Mostly, indie horror seems constrained, not by lack of funds, but by lackluster creativity and a sort of sloppy artlessness.
The documentary Bombshell illuminates Heddy Lamar’s enigmatic legacy with gentle scrutiny and justifiable awe.
The Annual Francis Davis Jazz Critics Poll at Mid-Year: Warming Up a Riff — How It Happened, and Why It Matters