Film
Two of the best feature documentaries this year at the Provincetown Film Festival were gay-themed.
In Trouble in Paradise, Lubitsch makes us feel complicit in the best of ways; he makes us feel clever.
If you want to see what courageous political satire really looks like, see Sara Taksler’s engaging new documentary about Bassem Youssef.
This is a fine exercise in arthouse horror — don’t expect elaborate monsters, an orchestral score, or CGI effects.
While Band Aid feels authentic in its realistic depiction of contemporary relationships, its humor is consistently disarming.
The Complete Jean Renoir — a definitive retrospective of films by the greatest of all directors.
Summer of Love’s line-up contains some of that iconic year’s most indelible works of cinema.
In this attempt to get at the ‘truth,’ the actors don’t play the roles, the roles play the actors.
This time that we’re getting a too-sweetened take on Hasidism, and maybe of Jewish Orthodoxy in all of its manifestations.
It is not a movie for every taste; in fact, it is as close to watching paint dry as a film can get. I mean that in a good way.
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