Film
Thelma learns that she can’t escape who she is — but she can control what she does.
I love the way Blame captures the kaleidoscopic emotional experience of being a teenage girl.
Steven Spielberg’s political timing is nearly perfect, and so is his film.
I miss the precocious, mischievous, darkly cunning, and troubled characters Gary Oldman once portrayed so beautifully.
I can unequivocally say this is the most masterful and beautiful film of the year.
Our demanding critics choose the best (most disappointing) films of the year.
Moviegoers who haven’t thought about Tonya Harding in years may find themselves wondering if they may have judged her too harshly.
If you can accept yet another tour around a love triangle, Wonder Wheel is generally engaging and nearly always entertaining.
This short film exudes a lighthearted, breezy energy that belies the seriousness of its subject matter.
How palpable is the combat in Nowhere to Hide!
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