Film
Director Debra Granik’s focus on young women whose lives have been steeped in nature and hardship, forced to lead their families forward despite scant resources, posits a refreshing feminine archetype.
Hereditary has top notch acting, a gorgeous look, and some genuinely terrifying moments that linger.
Some may think that the western-genre-turned-arthouse-gimmick has been played out, but Damsel‘s fresh energy and pioneering spirit offers redemption.
A quartet of standout movies, the best of the just ended Provincetown Film Festival.
The privilege Edith Wharton’s characters swim in has not disappeared. If anything, it’s expanded farther into the social stratosphere.
Nancy is mystifying, but in this case the inexplicable has its fascinations.
Summer 1993 is provocative, both for the raw depth of the emotions it evokes and the directness of its storytelling.
This effort is the most ‘Hollywood’ score the BSFO has created yet, a plush musical carpet for The Man Who Laughs’s emotional high and lows.
A chance to see two important works by pioneering African-American filmmaker Bill Gunn.
Luchino Visconti made theatrically tinged movies driven by music, indebted to painting, sculpture, architecture, and literature—he accomplished, dare I say, a fusion of the arts.
Recent Comments