Featured
Critics have been more than kind to “Museum Hours,” respectful of its sleepy intellectualism in a 2013 summer of brainless action flicks.
“North Shore Fish” introduces, but then glosses over, the potent issues of working class women struggling to support their families in dead-end factory jobs while their fisherman husbands remain out of sight.
The Peterborough Players have put together a “Seagull” that floats elegantly on nineteenth-century Russian and twenty-first-century American wings, simultaneously bright and dark.
But Mr. Ho’s Brian O’Neill had another idea. What if he took the very inauthenticity of the original music as a motive for putting together things that were never meant to go together originally? Like Bach’s Toccata and Fugue with a Balkan beat?
This attractive, inexpensive box set dedicated to Claudio Abbado contains a rich gathering of lucid, colorful recordings, among the most accomplished modern performances of symphonies that are absolutely central to the repertoire.
It’s a pity Witold Lutoslawski’s music isn’t turning up on more orchestral programs in the U.S. this season and next – Benjamin Britten seems to be the centennial birthday boy of choice.
Director Refn’s craftsmanship isn’t in doubt here, just whether this deadening story was worth all the effort.
This production of “Pygmalion” is also a case study in how an accomplished director –- former Huntington Theatre Company director Nicholas Martin – weaves every part of his team into a seamless whole.
Recent Comments