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Bianco Amato is a marvel as Anton Chekov’s widow, Olga Knipper, who can turn her fake emotions on a ruble.
Read MoreThe journey of Anders Zorn, from Swedish hamlet to the top echelon of society portraitists and back again, has a couple of messages for us. The first leg of the journey tells us that careerism is not a new phenomenon in the art world. The second tells us what it may be worth in the end.
Read MoreBeyond the Hills is not the horror film the trailer seems to advertise, but it is certainly horrific.
Read MoreIn the end, it is not the brilliance of his criticism or the strength of his prose for which we will remember Roger Ebert, but his humanity and his love—for film, for life, and, most of all, for people.
Read More“Once people hear this music they do indeed come back for it – it is pleasing on so many levels: it soars, it soothes, it excites, it transports.”
Read MoreIt is April in New England and for local music that means one thing, it’s time to RUMBLE!.
Read MoreThe Boston Camerata proffers a constant sense of discovery and rediscovery, of unusually lively musicianship and scholarship, and a sprightly sense of the humanity – and the snarly complexity – behind the music it performs.
Read MoreIf we are not diligent in maintaining high editorial standards, arts coverage will morph into misshapen forms of infotainment and advertising. Once those monstrosities are set in profitable stone, quality arts criticism and the arts will face a problematic future.
Read More“Henrik Nordbrandt now holds a unique place in his homeland as its most celebrated national poet, who happens to have spent most of his adult life outside Denmark.”
Read MoreThe Slide Brothers fuse steel with gospel, Etana brings the roots back to reggae, Duke Levine steps out on his own, and much, much more this month.
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