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by Bill Marx The schizophrenia is instructive if somewhat dizzying. At the Calderwood Pavilion, the Huntington Theatre Company kicks off its season with “The Atheist,” a cynical exercise in scatological anti-heroism about a sleazy reporter who blackmails his way to fame. On its main stage at the Boston University Theater the HTC wallows in PG…
Read MoreMachiavellian monsters aren’t what they used to be in the theater. The gloriously godless creeps that memorably rampage their way through the plays of Shakespeare, Jonson, Shaw and Brecht scale the dizzying heights of inhuman ambition and self-admiration. The closest contemporary American theater comes to that kind of mountain-sized ego is Roy Cohn in Angels…
Read MoreBy David Hartley Believe it or not, cans and screwtops are not only back, but they are chic. For the past few decades, drinking beer out of a can has been for the slightly louche among us, the thin tin package of choice for undiscriminating guzzlers at football stadiums and frat-houses. But now the lowly…
Read MoreThe NY Times is running a series of articles about front-runners for the presidency. I’ve read the two about Hillary Clinton carefully, because I’m stuck about her. She’s someone I’d like to feel enthusiastic about but can’t. She always, to my mind, testifies strongly at first, then cancels herself out. She’s an enigma wrapped inside…
Read MoreSome of the best moments of my visit to documenta XII I spent in bed. Even though Loekie and I had decided this time not to try to see everything and to spend as much time on a display as we wanted, and even though we stuck to this strategy and enjoyed the exhibition all…
Read MoreBy Bill Marx When George Bernard Shaw’s comedy Misalliance, subtitled “a debate,” premiered in 1910, critics couldn’t make heads or tails of the play. It didn’t matter if the reviewer was sympathetic to Shavian excess — the evening’s self-parodying polemics and prophetic theater-of-the-absurd trappings were too much. The production closed after 11 performances: the script,…
Read MoreGiven the timidity of so many American theater companies, who seem to reserve their courage for implementing new marketing schemes, reminders of what creative risk is all about serve a useful purpose. Some theater artists around the world face jail when they perform on stage. On August 22, special forces of the Belorussian police raided…
Read MoreAfter four movie versions of Alexandre Dumas’s nineteenth-century novel, does it make any sense to make a musical out of The Three Musketeers? The film versions efficiently present the book’s mix of comic book mayhem and romance and are available on DVD and video. By Bill Marx I can’t think of any successful swashbuckling musicals,…
Read MoreSome show biz flair-ups are dead debacles walking. Producers sparked a flap in Chicago recently by tossing accusations of foul play at a critic whom they claimed wrote about shows she didn’t have permission to review.
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Arts Commentary: “The Boston Globe” Has Nothing to Worry About …
Who cares how the chairs are arranged or even who sits on them on the deck of the Titanic-“Globe”? As the popularity of online publications and blogs grows, the “Globe”’s tepid cultural coverage has become increasingly superfluous.
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