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“I like singing live; I try to sing well live, I try to prepare myself for the audience, for that room. And I care a great deal about singing live, because I think that’s the experience of jazz. Even if I’m singing Brazilian music.”
Benjamin Evett as Arthur and Erica Spyres as Guenevere turn in solid performances, dependable anchors for a cast that does the best that it can in a drab, bargain basement production.
Throughout his writing, poet Seamus Heaney’s penetrating imagination is one that strives for accuracy.
As the individual who quite possibly had the best seats in the house for the monumental legal battle that unfolded over the course of a few weeks in the summer of 1971, James Goodale provers invaluable morsels of insight and information.
Stand-up comic Colin Quinn has been giving a lot of thought to the Founding Fathers, their vision for the new nation and, well, how that turned out. The result is his sharp and funny one-man show.
It was intimidating to go into a situation with a director (Alexander Payne) that you love so much and an actor (Bruce Dern) who has done so much and worked with so many amazing people.
Jake Bugg is hardly a punk, but he’s definitely acquired a bite that he didn’t have on his debut album.
Aminatta Forna has given us a novel that belies its modest premise, a book about how the human mind protects itself by not knowing, yet sometimes, due to unexpected circumstances, comes to terms with what it thought it could not.
One doesn’t come away from a Wayne Shorter Quartet performance merely raving about individual accomplishments: the set on Sunday night never felt like just a compelling sequence of solos.
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