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Ms. Son’s performance of Debussy’s Preludes nos. 3 – 8, while mostly note-perfect, was marked by a tentativeness that kept any of them from really blossoming.
Read MoreWhile sound is certainly important, and language in the proper hands has its own music, syllabic harmonies need not be trumpeted as though they were the foundation of good prose.
Read MoreWhen the Boston Jewish Music Festival presented a special afternoon of Lazar Weiner’s Yiddish Art Songs, it became clear that it’s time for a reappraisal that will bring these small, intense gems back into broader musical circulation.
Read MoreIn his exploration of history, Jack Beatty suggests that World War I, as we know it, was an improbable event.
Read MoreWhen the jazz composer is the soloist, which is usually the case, he or she ironically revives one of the most venerable traditions in classical music.
Read MoreJonathan I. Israel has written a monumental three-volume history of the Enlightenment, approximately 2500 pages long, not including three lengthy bibliographies. His erudition is fabulous; his range is dizzying.
Read MoreA strange mix of characters who all have complicated pasts gives rise to a novel that blossoms — exactly as a flower does — into a complex drama that includes several points of view and a wide range of emotions.
Read MoreWhat’s coming up now in this small gap between the Awards shows and the Film Festival Season? Lots! This month is a cornucopia of adventurous off-the-radar films. March features several great director’s series, Hong Kong, German, and Czech premieres, women directors, local directors, and a range of documentaries on music that you probably never heard of.
Read MoreAs this is his only work which Shakespeare himself titles ‘comedy,’ a company may feel an obligation to elicit laughter. Ironically, this duty can become burdensome.
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