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Film Review: “In Bloom” — Girls, Guys, and a Gun

April 13, 2014
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“In Bloom” is one of the best features to come out of Eastern Europe in recent times.

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Coming Attractions: What Will Light Your Fire This Week

April 13, 2014
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Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.

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Dance Review: “The Shape She Makes” — A Complex, Eloquent Hybrid of Dance and Theater

April 12, 2014
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“The Shape She Makes” proffers an eloquent fusion of language and movement that pushes the boundaries of dance and theater without embracing the opaqueness that marks so many experimental productions.

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CD Reviews: BMOP plays Babbitt and Antheil (BMOP/Sound), and Chris Wild’s Abhanden (Navona Records)

April 11, 2014
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Snappy new recordings of the music of Milton Babbitt and George Antheil from the Boston Modern Orchestra Project while cellist Christ Wild’s disc offers a fascinating journey through some richly diverse musical soundscapes.

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Film Feature: Barbara Stanwyck – On Page and On Screen, “The Most Modern of the Great Movie Stars”

April 11, 2014
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It has the makings of a Barbara Stanwyck boomlet: Victoria Wilson visited Boston to talk about the first volume of her major biography of the star, and the actress can be seen on-screen at the Harvard Film Archive.

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Fuse Music Interview: The “Grease” guy –The Bo-Keys and John Nemeth bring the Memphis Sound to Town

April 11, 2014
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Scott Bomar’s multi-generational band The Bo-Keys has almost single-handedly kept the soul tradition of the Stax and Hi labels alive.

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Film Review: “The Unknown Known” — As Insanely Entertaining as a Mad Hatter Tea Party.

April 11, 2014
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My first thought: filming Donald Rumsfeld can only be rationalized if it’s a front for a citizen’s arrest.

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Theater Review: “Nalaga’at” (Please Touch) — A Daring Dramatic Struggle Against Absence

April 10, 2014
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Theater is a public art. And yet, the irony here is that the most profound communication between individuals can be the least publicly communicable.

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Film Commentary: Wes Anderson, Stefan Zweig, and Discovering the Value of “The World of Yesterday”

April 10, 2014
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Perhaps a movie such as “The Grand Budapest Hotel, which is much more than a zany comedy, can lead us back, as director Wes Anderson may have intended, to the fabulous writing of Stefan Zweig.

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Visual Arts Review: “Dear Boston” — A Moving Memorial to the First Anniversary of the Boston Marathon Bombing

April 9, 2014
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It is difficult to describe how moving these simple, mundane objects are in the context of this exhibition.

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