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Is he a murderer? Is she? Who was the victim? His wife? The mistress? The Blue Room is Gone Girl French style, which means more sex, more art, and more enigma.
Gabriel is a searing experience to read, filled with sadness but also humor and forbearance, and may give comfort to parents who are dealing with difficult children.
Bruce Allen Murphy conveys the impression that Scalia knows how he feels on every issue before the briefs have been argued.
Why, when finally caught, didn’t mark Landis land in jail? Here’s the rub. He was a consummate liar and a big-time deceiver but he’s never committed a jailable crime.
The orchestral playing, a couple moments of questionable intonation notwithstanding, was commanding and, at times, exhilarating.
In interesting ways, German Stage’s ongoing exploration of Germany’s immigrant populations provides a lens through which we can evaluate how we perceive our immigrants and how we treat them.
The biography is a remarkable read. It has all the hefty research you’d expect from a scholarly work, yet the story is told through prose fit for a great novel.
André du Bouchet writes the kind of poetry that other poets ponder, perhaps resist or even reject for a while, yet inevitably return to study even if (or because) their own poetics are starkly dissimilar to his.
Goya: Order and Disorder is likely the most important exhibition on the New England museum calendar for the coming year and then some.
So much of what this novel has to say feels bracing and necessary. This is where a good part of America lives—dangling over a chasm.
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