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Mechanical as Chic!’s story is, it is rare to have this kind of French fluff put across with so much charm and vivacity.
In Kinship, dramatist Carey Perloff hasn’t found a language that conveys irrational longing.
Zoë Anderson’s volume aims to give readers a handy way to discern the most influential ballets from among the confusing proliferation that we find in today’s repertory.
While 887 explores the political, historical, and cultural ramifications of centuries-old racism, Robert Lepage never panders to victim mentality polemics.
It is a conundrum for the critic: is the crudeness of the rendering the result of an expressionist style or a lack of finesse or skill in rendering?
John Berberian, an Armenian-American master of the oud, is in our midst.
The show is unabashedly American in subject matter and form: Realism is as much an influence as Cubism, Expressionism, Surrealism, and the other European –isms.
Monchichi is about relationships but focused on this particular relationship, in which affection and intimacy and joy and sometimes frustration exist.

Classical Music Review/Commentary: BSO / Pianist Kirill Gerstein – Whose America?
The BSO’s Americana concert could only provide four beautiful snapshots of a very complicated landscape.
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