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Despite the well-intentioned efforts of the cast, Eli Wiesel’s words were lost in space.
No Pier Pressure is Brian Wilson’s 11th solo album and it shows little diminution of his still-prodigious talents.
Woman in Gold has novelty going for it — it is a film that depicts a woman’s passionate relationship to a piece of art.
Featuring seven short dances by stellar choreographers of contemporary dance, the Harvard Dance Center’s spring program promised some rare enlightenment.
The beauty of David Cromer’s production of Come Back, Little Sheba that by focusing on the play’s intense psychological undercurrents he minimizes its cultural mustiness.
Two current productions make vivid cases for the strength of Canadian theater.
Those who want to experience the brilliance of Bertolt Brecht at its mellowest should head down to Yale Rep’s lively and moving production of The Caucasian Chalk Circle.
The photographer and the exhibition both make much of his outsider status and radical departure from the classic, reserved aesthetics of American art photography.
Book Review: “Erebus” — A Brilliant Hybrid That Bears Witness to Tragedy
Erebus is wonderful, original book that defies categorization.
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