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Dan Hodge turns two hundred and fifty stanzas of Shakespeare’s rhyme royal into the stuff of a high-class poetry slam.
“When we turn so crass and commercial that we have lost our way, Samuel Beckett will be rediscovered as the way back.”
Simplicity is the key to director Scott Edmiston’s passionate vision for this musical.
Love and Money is a short play, lengthened beyond one-act duration by stuffing a Cole Porter interlude into its middle.’
Claims that Stephan Micus erases international boundaries and makes one-world music get it backward. You visit his world on his records.
Here is a random roster of playgoing pests, may Thespis strike each of them dumb.
John Taylor introduces readers to an amazing array of sensibilities and life histories in a babel of languages from an atlas of nations.
James Lecesne’s one-man show delivers just what it promises….a lot of laughs and a few tears as well.
Dance Commentary: Is Dance Criticism Dead?
Neither dancers nor the dance audience are out on the barricades demanding more and better dance coverage.
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