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Gumshoes in Tap Shoes, a dance noir with ’60s big-band music from the likes of Henry Mancini, is an ambitious project.
A Most Violent Year is nothing if not intense.
The most important takeaway from American Justice 2014 is the potential danger, from Epps’s perspective, of the growing influence of Justice Alito.
The actors in the central roles are extremely fine, particularly Kathleen McElfresh’s beautifully nuanced performance as the anguished Bridget O’Sullivan.
Brandy Burre is a trained actress who is artfully aware of the camera and its power: the director uses her skill as a performer to animate the film.
These films demonstrate what’s often so great about documentaries: here’s where you find real courage and everyday heroism, and not in mythic, muscular, blockbusters.
May Father Comes Home From the Wars (Parts 1, 2 & 3) fill the Loeb Drama Center to the brim and then some.
Nathan Benn’s gorgeous color photographs paint a complex vision of Vermont as a place of constancy and change.
Fuse Music Commentary Series: Jazz and the Piano Concerto — Setting the Margins
This post is the first of 17 in an ambitious series examining the traditions and realities of classical piano concertos influenced by jazz.
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