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Book Review: Antonio Tabucchi’s “Time Ages in a Hurry” — A Diary of Dreams

March 25, 2015
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Antonio Tabucchi’s fluid style moves easily from realism to surrealism, banal conversation to poetic free association, reportage to allusion.

Film Review: “Kumiko, the Treasure Hunter” — American Surrealism

March 25, 2015
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The Zellner brothers’ excellent film is inspired by a Japanese urban legend of a young woman who came to America supposedly because of Fargo, and then committed suicide in the snows.

Dance Review: Boston Ballet’s “Shades of Sound” — Energetic Versatility

March 24, 2015
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Each piece is so different from the others in Shades of Sound that the evening provides something for everyone, giving the company a chance to showcase its phenomenal technique.

Film Review: “Winter Sleep” — Epic Lite

March 23, 2015
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Winter Sleep is not the cinematic masterpiece so many have been hailing it to be.

Book Review: “The Dirty Dust” — Voices From the Underground, Sublime, Spiteful, Satiric

March 23, 2015
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The Dirty Dust is a novel of almost unbelievable invention, humor, pathos, eloquence, and fury.

Music Commentary Series: Jazz and the Piano Concerto — Mavericks, 1923-1955

March 23, 2015
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This first group of mavericks all have their roots in the 1920s, but they demonstrate that George Gershwin’s way wasn’t the only way.

Theater Review: A “Big Fish” Out of Water at SpeakEasy Stage Company

March 22, 2015
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The problem is that John August’s book for the musical lacks most of what made his screenplay for the 2003 film so emotionally resonant for so many.

Book Review: “The Sexual Night” — Origins Unknown

March 21, 2015
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French writer Pascal Quignard strives to peer beyond, or behind, what psychoanalysts typically rationalize as the primal parental realities.

Music Commentary Series: Jazz and the Piano Concerto — French Threads

March 20, 2015
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New York and Paris both respected innovation, but Paris demanded that the new have a certain style.

Theater Review: “From the Deep” — Real Pain in an Imaginary Space

March 20, 2015
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From The Deep suggests that Boston’s theater community would be better served if it put more of its resources into presenting the work of local literary talent.

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