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For all the attention it receives and the level of cultural relevance it assumes House of Cards ought to be a much better series than its aggressive promotion makes it out to be.
At a mere 1 hour and 34 minutes, Chuck Workman’s documentary about Orson Welles is rushed and sometimes choppy, leaping through the filmmaker’s bountiful life.
Club Passim’s vegetarian days are over — the new menu is all about “globally inspired New American cuisine.”
More composers who followed their own distinctive paths when they incorporated jazz into their piano concertos.
Actors’ Shakespeare Project’s superb production of God’s Ear honors this beautiful text.
“It takes a special choreographer to make audiences laugh, reflect, and empathize.”
Don’t miss the “joyous shout and ringing cheer” of this delightfully boisterous version of The Mikado.
The Bridal Chair will not only answer many questions about this complicated, famous family; like Chagall’s best work, it will also linger in the mind.
Moses(es) has many layers of metaphor and suggestion, but the surface is always visually intriguing, musically imaginative
Theater Commentary: The Irrelevance of ‘Relevant’ Theater
Where are the theaters that are bold enough to stage challenging and risky dramas about race? Not just talk the talk.
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