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Two current productions make vivid cases for the strength of Canadian theater.
Those who want to experience the brilliance of Bertolt Brecht at its mellowest should head down to Yale Rep’s lively and moving production of The Caucasian Chalk Circle.
The photographer and the exhibition both make much of his outsider status and radical departure from the classic, reserved aesthetics of American art photography.
More composers who followed their own distinctive paths when they incorporated jazz into their piano concertos.
Editor Jon Stallworthy’s preference in this superb anthology is for poems that question, or provoke questions about, war.
According to Shelby Steele, white liberals “dissociate” themselves from the past sins of white America by subscribing to the “poetic truth” that the United States is “characterologically evil.”
Pascal Garnier’s characters slip through cracks, cross borders, pass through the thin mirrors of the self, and commit irreparable acts.
Saturday’s was the most electrifying, exciting, spontaneous-sounding, inevitable performance of this warhorse (Beethoven’s Violin Concerto) I’ve heard.
Book Review: “Erebus” — A Brilliant Hybrid That Bears Witness to Tragedy
Erebus is wonderful, original book that defies categorization.
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