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Aloha comes across as Cameron Crowe’s baffling artistic suicide note to his adoring public.
Despite the neglect from the local media, the Boston blues scene is strong.
Biographer Annie Cohen-Solal is perhaps strongest on one thread of Mark Rothko’s narrative: his experience as a Jewish immigrant.
Get your maps and open up your calendar app—it’s time to plan your summer of jazz in New England.
Nobel laureate Patrick Modiano understands that time periods can mesh, interpenetrate, layer up, blend, and blur naturally in the mind.
Film Interview: No Jumping to Conclusions in ‘Sunshine Superman” — Talking to Director Marah Strauch
Marah Strauch’s documentary tries to fathom Carl Boenish’s motive for taking his last leap.
“I was/am struck by the women in The How and the Why. I hadn’t seen them onstage before. Nor had I quite heard from them before.”
Patrick Dougherty’s Stickwork is a remarkable piece of public art.
Author Vivian Gornick’s discontent is foundational, fertile, unquenchable, except by writing, and quite often funny.
TV Commentary: A Fan’s Meditations on the Finale of “Mad Men”
People bonded with the product Mad Men was selling, but what were they falling for?
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