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The problem is that John August’s book for the musical lacks most of what made his screenplay for the 2003 film so emotionally resonant for so many.
Read MoreFrench writer Pascal Quignard strives to peer beyond, or behind, what psychoanalysts typically rationalize as the primal parental realities.
Read MoreNew York and Paris both respected innovation, but Paris demanded that the new have a certain style.
Read MoreFrom The Deep suggests that Boston’s theater community would be better served if it put more of its resources into presenting the work of local literary talent.
Read MorePianist Simone Dinnerstein’s new album, Broadway-Lafayette, features her on three pieces, all written since 1924, that celebrate musical ties between France and the United States.
Read MoreThe puckish, irrepressible personality of James Randi — magician, escape artist, debunker of seers, psychics, and all things paranormal — is at the zesty heart of this memorable documentary.
Read MoreIf these efforts are representative of Icelandic cinema, it is time for movie lovers to start paying much closer attention.
Read More“The kids in Boston accepted us unconditionally, and we hung out with everyone out there—Barrence Whitfield, the Bristols, the Del Fuegos.”
Read MoreAfter hearing pianist Daniil Trifonov in this recital performance, I would say no one on the celebrity circuit has a more impressive technique.
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Music Commentary Series: Jazz and the Piano Concerto — Mavericks, 1923-1955
This first group of mavericks all have their roots in the 1920s, but they demonstrate that George Gershwin’s way wasn’t the only way.
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