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Benton’s art looks very much of its time, especially this selection of work that relates to cinema. Don’t let that fool you.
He came up with one of those transcendent Richard Thompson moments, one to match anything I’ve seen onstage this year.
Marc-André Hamelin, one of the world’s elite pianists, held the packed Shalin Liu Performance Center enthralled.
This documentary explores the lives of 6 movie-crazed, teenage brothers who grew up locked away in a NYC housing project.
The impish comedy and refreshingly realistic perspective of Dope questions easy answers to pressing racial problems.
After experiencing, in seven days, Monteverdi’s three extant operas and his Vespers of 1610, I am in awe of BEMF and everyone associated with it.
The best of Kageyama Kōyō’s photography contains a nuanced dramatic power that is both aesthetic and political.
There is little for the audience to take away from Red, except the anecdotal dramatization of an event inspired by Mark Rothko’s career.
Few companies can do pageantry quite like ABT, buoyed by its vast resources as well as on this occasion the company’s desire to celebrate its 75th anniversary with panache.
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