Featured
Claims that Stephan Micus erases international boundaries and makes one-world music get it backward. You visit his world on his records.
Here is a random roster of playgoing pests, may Thespis strike each of them dumb.
John Taylor introduces readers to an amazing array of sensibilities and life histories in a babel of languages from an atlas of nations.
James Lecesne’s one-man show delivers just what it promises….a lot of laughs and a few tears as well.
The Emerson String Quartet and Renée Fleming team up for one of the finest recordings of the year.
You could walk from Inman Square to Harvard, see Muddy Waters or John Lee Hooker play, and have your whole worldview changed.
The Bloody Hand stands alongside other autobiographical classics devoted to the First World War.
Javier Perianes is a musician of sweeping, Romantic sensibilities, eager to take a stand, and the result is a triumphant recording
The Winter’s Tale‘s odd structure and hybrid genre is a challenge to modern directors and audiences alike.
Dance Commentary: Is Dance Criticism Dead?
Neither dancers nor the dance audience are out on the barricades demanding more and better dance coverage.
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