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Dan Hodge turns two hundred and fifty stanzas of Shakespeare’s rhyme royal into the stuff of a high-class poetry slam.
“When we turn so crass and commercial that we have lost our way, Samuel Beckett will be rediscovered as the way back.”
Simplicity is the key to director Scott Edmiston’s passionate vision for this musical.
Love and Money is a short play, lengthened beyond one-act duration by stuffing a Cole Porter interlude into its middle.’
Claims that Stephan Micus erases international boundaries and makes one-world music get it backward. You visit his world on his records.
Here is a random roster of playgoing pests, may Thespis strike each of them dumb.
Neither dancers nor the dance audience are out on the barricades demanding more and better dance coverage.
John Taylor introduces readers to an amazing array of sensibilities and life histories in a babel of languages from an atlas of nations.
Classical Music Commentary: Kapellmeister Nelsons
We’ll have to wait and see how Andris Nelsons balances things out. But there’s no reason to suspect that Boston’s getting the short end of the stick here.
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