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A Bigger Splash has a pleasing richness wherein the sensual elements bind the individual characters to each other, and to nature.
Director Paul Daigneault and SpeakEasy Stage have a hit on their hands
High-Rise‘s urban apocalypse is laid on thick. One wishes for a modern existence that is not quite so alienating.
RoosevElvis turns out to a sort of slaphappy homage to two American legends, a genial romp that sticks to stereotypes.
The director approaches his Star Wars interviewees with obvious glee, but he’s also on a quest.
A rare opportunity to see — on the big screen — a film starring Boston-born silent comedian Raymond Griffith, a master of the debonair pratfall.
Although Anger and Forgiveness is a work of systematic philosophy it is also provocatively personal.
A Great Wilderness dramatizes the plight of a believer who is forced to face a powerful truth about himself — that he has probably wasted his life.
What is there to say about an album that Rolling Stone ranked #2 in its 2003 list of “The 500 Greatest Albums of All Time”?
Oh, it’s a strange world, ballet — filled with rituals and practices that Mary Jane Doherty captures with sharp-eyed grace.
Classical Music Commentary: Boston’s Lost Opportunity — How the BSO Board Chose Charles Munch over Leonard Bernstein