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“There comes a decision-making process where some of the jokes, I’m like, I’m glad I never have to tell that one again.”
Who was this stunning talent with the roof-raising voice and why in the world isn’t she a star, fans would wonder?
I’d seen all of these works on the Boston Ballet’s program once or twice in the past. They all seemed to improve with these additional viewings.
Paradise Lost’s Replay is nothing if not exuberant.
MJ Halberstandt’s script is at its strongest when his characters, and how they connect with each other, are the focus.
Lisa Dwan’s performance of these Beckett pieces in a totally darkened theater is powerful and, in the case of Not I, deliciously revelatory.
Jim Harrison’s prose is gorgeous, illuminating. The simple language slides into your head and resonates there.
Kent Nagano’s return to Boston revealed him to be a fully mature world-class conductor.
Sunday’s concert was highlighted by the world premiere of Bernard Hoffer’s ballet after Longfellow’s Paul Revere’s Ride.
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