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Film Review: Girls on Film — “Starless Dreams” and “Audrie & Daisy”

April 18, 2016
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Two new documentaries about teen girls offer much-needed doses of realism and illumination.

CD Review: Weezer’s ‘Beach Album’ — A Pleasing Breeze of Power Pop

April 18, 2016
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This album is not a slavish imitation of an old sound but a fresh take on the kind of timeless, tuneful fun that pop music used to be all about.

Visual Arts Feature: The Lower East Side Tenement Museum — History, with Contradictions

April 17, 2016
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The founders of the Tenement Museum would have been pleased to see visitors drawing parallels both with the immigration headlines in the news.

Visual Arts Review: Cyberarts Presents the Beauty of BioArt

April 15, 2016
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Membrane: Biology and Art is a wonderfully conceived and curated show.

Fuse Film Review: A Kibosh on “Krisha”

April 15, 2016
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Krisha feels as if it was pretty much made-up-on-the-spot, the narrative’s improvisations left in the hands of clueless amateurs.

Theater Feature: Willing Suspension Productions Celebrates “The Sea Voyage” and a Glorious Anniversary

April 15, 2016
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Willing Suspension Productions serves as a valuable counter-balance to American academia’s Shakespeare-centric curriculum.

Film Review: “A Married Woman” — Beautifully Empty-headed

April 15, 2016
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I appreciate the effort to bring back this rarely seen early Godard. But there are reasons this movie hasn’t been previously revived.

Theater Review: “Mr. Burns” at the Lyric Stage — Not so Electrifying

April 14, 2016
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Anne Washburn has a number of good ideas in this play, but the execution falls short.

Fuse Music Review: Iggy Pop Live at the Orpheum — Senescence Be Damned

April 13, 2016
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Senescence be damned: whether this was his last tour or not, Iggy proved he’s still got what it takes to play great rock and roll.

Book Review: “Movie Freak” — A Critic Who Doesn’t Hold Back

April 13, 2016
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If Owen Gleiberman has any complaint against today’s world of criticism it’s that everyone seems to be speaking in one voice.

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