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A rare opportunity to see — on the big screen — a film starring Boston-born silent comedian Raymond Griffith, a master of the debonair pratfall.
Although Anger and Forgiveness is a work of systematic philosophy it is also provocatively personal.
A Great Wilderness dramatizes the plight of a believer who is forced to face a powerful truth about himself — that he has probably wasted his life.
What is there to say about an album that Rolling Stone ranked #2 in its 2003 list of “The 500 Greatest Albums of All Time”?
Oh, it’s a strange world, ballet — filled with rituals and practices that Mary Jane Doherty captures with sharp-eyed grace.
When it comes to dramatic debate, balanced parry and thrust are paramount.
What interested me about Bitches Brew was the chance to discover how choreographer Karole Armitage re-rigs classical ballet steps.
The Rasas are but the latest in a series of remarkable scores John Harbison has been turning out over his eighth decade.
Once and For All asserts the value of Delmore Schwartz’s provocative and multifaceted literary legacy.
John Hiatt’s voice has taken on some Tom Waits-like cragginess in recent years.
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