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Classical CD Reviews: Andris Nelsons conducts Bruckner and Andrew Manze conducts Vaughan Williams

June 17, 2017
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For all the surface-y beauty of the BSO’s playing, it’s a dull interpretation of Anton Bruckner’s Symphony no. 3.

The Arts on the Stamps of the World — June 17

June 17, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Classical CD Reviews: Emerson Quartet plays Purcell and Britten and Mozart in Havana

June 16, 2017
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The Emerson Quartet is as restless and curious as ever; pianist Simone Dinnerstein is featured on a treasure of a disc.

Classical Music Review: Boston Early Music Festival — The King’s Singers and Ayreheart

June 16, 2017
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Boston Early Music Festival tossed a bang-up evening of performances on Monday night.

The Arts on the Stamps of the World — June 16

June 16, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Book Review: “Our Dead World” — Testaments to the Never Quite Absent

June 16, 2017
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Bolivian author Liliana Colanzi delivers some risky, but important, messages in these enigmatic stories.

Classical CD Reviews: “Recurrence” and “Thrive on Routine” (Sono Luminus)

June 15, 2017
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Why do such a high number of significant contemporary composers hail from Iceland?

Film Review: The Sublimely Refined Touch of Ernst Lubitsch

June 15, 2017
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In Trouble in Paradise, Lubitsch makes us feel complicit in the best of ways; he makes us feel clever.

The Arts on the Stamps of the World — June 15

June 15, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Rethinking the Repertoire #15 – George Whitefield Chadwick’s “Symphonic Sketches”

June 14, 2017
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If George Whitefield Chadwick had been born in, say, London or Munich, he might be better known today than he is.

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