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The Isleys remain bizarrely underrated by mainstream media outlets, but they’ve never been forgotten by music fans.
We Bostonians are a tough bunch and the Remains had a tough sound. That’s what Boston music should be remembered for.
Ada/Ava is an impressive theatrical feat that finds a new, and invigorating, way of telling a story on stage.
Henry Rollins insists on defining himself strictly on his own terms.
When an opportunity to celebrate USCO’s pioneering work came along, I just had to curate it.
I love the way Blame captures the kaleidoscopic emotional experience of being a teenage girl.
“Everything about the Holocaust already seems so thoroughly unreal, as if it no longer belongs to the experience of our generation, but to mythology…”
William Gass’s primal loyalty was to the words composing his texts.
Steven Spielberg’s political timing is nearly perfect, and so is his film.
Stanley Sagov never wants to play a piece the same way twice. He’s always engaged in a “search for freshness.”
Classical Music Commentary: Boston’s Lost Opportunity — How the BSO Board Chose Charles Munch over Leonard Bernstein