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An Arts Fuse regular feature: the arts on stamps of the world.
Read MoreLeann Osterkamp’s playing is rhythmically alive and sympathetic to Leonard Bernstein’s style; Seong-Jin Cho shows that he is an important pianist to watch.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreThe BPYO is as responsive, confident, technically skilled, and emotionally expressive an orchestra as they come.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreI enjoyed God’s Own Country for its realistic style and its unflinching vision of intimacy.
Read MoreScripts like The Hearing also provide an optic through which to examine our own nation’s problems.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read More“The acoustic duo shows are on the edge. It’s stripped pretty naked. It’s as if we were just playing in your living room.”
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Stage Commentary: “The Boston Globe” to Boston Theater — Drop Dead?
Critics were once seen as the ‘canaries in the mineshaft’ — now newspapers and magazines are closing down the mines.
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