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This Hopkins Center production will be the US premiere of Dada Masilo’s much-anticipated reimagined version of Giselle.
This symphony is the finest synthesis of Leonard Bernstein’s considerable theatrical instincts within a concert framework, idiosyncratic and singular.
In The Humans, Stephen Karam suggests that America can be a heaven that, in a moment, might flip into hell.
Pražák Quartet’s Smetana is keeper, Sir Simon Rattle’s Haydn is a loser, and Lindberg’s “On the Waterfront” is a knockout.
The communication among the group members is at a high level and the playing is flawless.
For poet Philip Levine, music is not only a good thing in life: the good things in life are music.
Steve is a satisfyingly genial comedy that brings up, but then darts quickly away from, serious issues.
There is much to love in this Lyric Stage Company production and I recommend it highly.
Musically, everything clicked in Boston Musica Viva’s annual Family Concert.
Rethinking the Repertoire #19 — Charles Ives’ Orchestral Set no. 2
Charles Ives continues to stand, after 140-plus years, as the ultimate American Composer.
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