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The Lyric Stage production of Anna Christie does right by Eugene O’Neill’s brilliance.
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In You Were Never Really Here, Lynne Ramsay’s themes of alienation, violence, guilt and redemption are once again present, albeit in a more frenetic form than before.
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This is a sound I’ve never heard before at a chamber concert: over twenty musicians breathing in unison.
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Iranian director Abbas Kiarostami’s last film is made up of a series of sometimes resplendent, sometimes disappointing, images.
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There were the inevitable crowd-pleasers on which Audra McDonald puts her impassioned stamp.
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The Rosenbergs is small in scope but large in ambition; it is an accomplished and moving opera that demands attention.
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Thomas Doherty’s fragmented, stop-and-start-again style dilutes narrative authority and further complicates an already very complicated story.
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Singer Fred Farell brings an introspective sensibility to this album and has gathered a group of songs that are appropriate for his introverted and quietly aspirational lyrics.
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Where will you find the best in new documentaries? In the brave new world of digital streaming.
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Steven Pinker’s book is a welcome antidote to the Trump era, when we are inundated, daily, with an avalanche of negative and disturbing stories.
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