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Theater Interview: Adaptor Neil Bartlett on Seeing Your Own Plague in “The Plague”

May 9, 2018
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Albert Camus brings a bracing response to thinking about the worse that is missing in so many of our current dystopias.

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Book Review: “The View From Flyover Country” — Sounding the Alarm

May 9, 2018
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If you want to understand what is going on in the United States today, journalist Sarah Kendzior is a good resource.

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Book Review: Tale of Two Short Story Collections, Schutt and Ortese

May 9, 2018
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Schutt’s is an example of the kind of fiction that is being taken seriously in too many quarters in this new century, but that is not nearly good enough.

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Dance Review: “Atomos” — Way Overagitated

May 8, 2018
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Despite its grand intentions, Atomos is essentially an abstract work that springs from Wayne McGregor’s obvious passion for full-throttle movement.

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Book Review and Interview: Steve Almond’s “Bad Stories”

May 8, 2018
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We built this form of democracy and now we must stand up to what it’s become and say “I don’t consent to this.”

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THE ARTS FUSE TURNS ELEVEN! — Our Spring Appeal

May 8, 2018
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Precious few independent online arts publications make it to double digits. Please give us the resources we need to persevere at an essential cultural task.

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Concert Review: Boston Philharmonic Youth Orchestra at Sanders Theater

May 8, 2018
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Rarely in my experience has Ives’s visionary score sounded so fired with purpose.

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Music Review: Anthony Coleman’s “Streams” at Jordan Hall

May 7, 2018
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Composer/pianist Anthony Coleman’s meticulous crafting made every second worthwhile.

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Coming Attractions: May 6 through 22 — What Will Light Your Fire

May 6, 2018
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Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.

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Pop Rock CD Review: Sloan’s “12” — By Jove, they’ve done it again!

May 6, 2018
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Sloan is a brand that stands for high-quality, retro-flavored pop that is rarely hackneyed or derivative.

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