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Pianist Daniil Trifonov’s Rachmaninov album is magnificent; the Münchner Rundfunkorchester do right by Franz von Suppé’s overtures, and the Romantic Piano Concerto series continues to unearth gems.
Skylark performed an inventive and highly enjoyable program of music and tales from Norse Mythology and the land of the Vikings.
Driven by vibrant performances and exceptional design work, Murder for Two’s good-natured musical tale of murder makes it an ideal Halloween treat.
Broadway hasn’t seen a play this harrowing yet eminently enjoyable since August: Osage County.
The SpeakEasy Stage production is intimate and emotionally satisfying, highlighting the musical’s strengths — its sharply witty book, memorable songs, and heartbreaking characters.
Hilary Hahn supplies a disc of immaculate Bach; conductor Sakari Oramo and the Vienna Philharmonic play music by Rued Langgaard to the hilt.
Whether through disregard, willful ignorance, or strategic elimination, Michael Lewis gives us a glimpse of how parts of the government are being hollowed out.
Border memorably skims the border between reality and the supernatural, examining the irreconcilable division between the civilized and the perverse.
Andris Nelsons presided over an interpretation of Mahler’s Symphony #2 that was both tightly controlled and emotionally cathartic.
Chilling Adventures of Sabrina is not as artful as a lot of what’s on offer now, but this pleasing series kicks off the Hallowe’en season with a bang.
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