Featured
Nancy is mystifying, but in this case the inexplicable has its fascinations.
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Ethan Mordden’s volume openly defies anyone to dismiss the American musical as mere fluff.
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Summer 1993 is provocative, both for the raw depth of the emotions it evokes and the directness of its storytelling.
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Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
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Do the games of the Marquise and Valmont still have the same old sinful fire and political relevance?
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The Fuller Craft Museum’s appealing and thoughtful exhibit showcases a wonderful assemblage of diverse utensils and accessories used in domestic as well as professional kitchens.
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Flat Earth Theatre has made a bold and relevant programming choice, taking on a play that examines how technology can both shape our illicit desires and fulfill them with ease.
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This effort is the most ‘Hollywood’ score the BSFO has created yet, a plush musical carpet for The Man Who Laughs’s emotional high and lows.
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It never occurs to him that, by championing just the great works of Western Civilization and consigning pop culture (notably science-fiction) to the flames, he’s exercising his own pernicious brand of censorship.
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Father’s Day Feature: My Father the Former Communist
Having a father in prison meant radical changes in our everyday lives.
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