Featured
Driven by vibrant performances and exceptional design work, Murder for Two’s good-natured musical tale of murder makes it an ideal Halloween treat.
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Broadway hasn’t seen a play this harrowing yet eminently enjoyable since August: Osage County.
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The SpeakEasy Stage production is intimate and emotionally satisfying, highlighting the musical’s strengths — its sharply witty book, memorable songs, and heartbreaking characters.
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Hilary Hahn supplies a disc of immaculate Bach; conductor Sakari Oramo and the Vienna Philharmonic play music by Rued Langgaard to the hilt.
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Whether through disregard, willful ignorance, or strategic elimination, Michael Lewis gives us a glimpse of how parts of the government are being hollowed out.
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Border memorably skims the border between reality and the supernatural, examining the irreconcilable division between the civilized and the perverse.
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Andris Nelsons presided over an interpretation of Mahler’s Symphony #2 that was both tightly controlled and emotionally cathartic.
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Chilling Adventures of Sabrina is not as artful as a lot of what’s on offer now, but this pleasing series kicks off the Hallowe’en season with a bang.
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Don Byron’s repertoire doesn’t just focus on the bebop era — nor is it self-consciously hip.
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Cultural Commentary: “The New Yorker” and The Fat Cats — Teaming Up
Yes, The New Yorker cover pillories the superrich as they ignore the pixie proletariat at their feet. But so what?
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