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WATCH CLOSELY: Stephen King is My Boyfriend — Hanging out at “Castle Rock”

October 20, 2019
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If Castle Rock is intended to be a commentary on Trump’s not-so-great America, well, what better genre than horror to spread the angst?

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Theater Review: “SpongeBob” Tour in Boston Is Hardly Absorbing

October 20, 2019
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This is a non-union production, and that means the actors are being paid a fraction of what they would be getting if the tour were offering performers a union contract.

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Coming Attractions: October 20 through November 3 — What Will Light Your Fire

October 20, 2019
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.

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Film Review: “Parasite” — Notes from the Underclass Underground

October 18, 2019
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Parasite’s powerful vision of the existentially downtrodden offers equal nods to Karl Marx and Fyodor Dostoyevsky.

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Author Interview: Boston’s Poet Laureate — Porsha Olayiwola

October 18, 2019
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“I wrote those poems because I think people need to read the truth and to hear the truth about romantic sensibilities between gay people.”

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Dance Review: Fernanda Ghi Dance Company — Passion, Fury, and Enigma

October 17, 2019
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Black + White from the Fernanda Ghi Dance Company was provocative, dramatic, and oh-so-mysterious.

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Literary Appreciation: The Late Harold Bloom — Pursuer of “Difficult Pleasures”

October 17, 2019
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“What is the function of literary criticism in a Disinformation Age? Read, reread, describe, evaluate, appreciate: that is the art of literary criticism for the present time.” — Harold Bloom

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Author Interview: Tim O’Brien — The Sound of a Father’s Voice

October 16, 2019
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I wanted to give my kids this gift of a book about them and for them.

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Book Interview: The Late Harold Bloom Talks Religion

October 16, 2019
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Literary critic Harold Bloom passed away at the age of 89 two days ago; here’s an illuminating interview with Bloom from 2005.

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Book Review: “Know My Name: a memoir’ — Required Reading

October 16, 2019
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No author has addressed the issue of sexual assault so much on her own terms, and in such a personal and powerful way.

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