Featured
This was an enormously exciting production of Merchant of Venice, a reminder that theater can be (in fact, must be!) nervy.
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Wall Street is getting a $1.5 trillion bailout (and counting). As usual, the arts, despite being a key economic engine, will not be so lucky.
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This carefully-crafted chamber piece revolves about a woman whose compulsion to eat non-edible things is both fascinating and disturbing.
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Marvelously acted and directed, First Cow is a masterpiece that dramatizes how struggle and adversity are part of the human comedy.
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At its best, The Slow Rush features catchy, energetic, and danceable tracks at the service of lyrical ruminations on dark topics, such as uncertainty and the inevitable passage of time.
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Adam Sherman, Cambridge-based musician, voice teacher, and vocal coach never went away.
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What makes this book so necessary is that these are writers willing to state realities that members of both parties prefer to keep under the rug.
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Dominique Morisseau’s earnest Pipeline is a “message” play, American style.
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It was a treat to see Camille A. Brown & Dancers inhabit (and elaborate on) a number of different African American dance traditions with such winning ease and grace.
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Arts Commentary: Helping Dance at a Time of Social Distancing
How, frankly, could I help people engage with their inherent creative powers and feel just a little bit better?
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