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In Rock Bottom Rhapsody, Pokey LaFarge shows us where all America’s prophetic manias must lead: collapse.
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Mrs. America is well written and beautifully acted (generally), but its real power stems less from its entertainment value than in how it reveals how little has changed for women since the ’70s.
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Singer Leslie Beukelman has a lot going for her, including her time, the quality of her voice, her control of improvisation, and her capacity to reach deeply into a ballad.
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Blood Sugar Rising deals with difficult subject matter, but steel yourself to view this engaging and educational look at a growing public health crisis.
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Not only is Fetch the Bolt Cutters the most stunning of Apple’s five albums, it’s the most impressive pop record of this young pandemic year, its bottled turmoil speaking to our own pent-up nerves.
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I’m suddenly startled by the almost simultaneous appearance of two killers, neither of them COVID-19, each seemingly unbeatable in its own way.
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Rowan Ricardo Phillips attempts to combine a woke perspective with his vast knowledge of poetry from the past.
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Lee Konitz was, with Sonny Rollins, one of the last of his great generation of jazz men still swinging hard.
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What’s happening right now, this is a bloodbath. It is full on slaughter of small businesses. They lie in the streets gasping for breath.
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Arts Commentary: The Late Annie Ross — An Appreciation
Renowned singer and actress Annie Ross is urgently in need of financial assistance to pay for home care during this pandemic.
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