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A pair of recent books help keep the glorious spirit of Carnival alive.
A pair of beauties: an Eric Revis quintet album and a solo excursion from Chick Corea.
What comes through most resonantly in Apples is its envisioning of a society starting over, and its suggestion that a clean slate, accepted honestly, might not be the worst thing.
Antônio Carlos Gomes’s Lo Schiavo (The Slave) receives its first major recording — and stakes its claim in the repertory.
“We will step to the edge of our humanity, expressing the commonalities that we all share, the threads that bind and connect us all.”
Feels Good Man is a provocative, entertaining, and moving documentary about an artist trying to retain his identity along with the innocence of the cartoon character he created.
Long live Fluxus, with its questionable boxes of ephemera, its baggy bags of soil, and its mad prankster sensibility.
Humankind, at the very least, compels us to rethink fashionably pessimistic assumptions about human nature.
For some reason, Aggretsuko riffs on Japanese idols in its third season, and the shift makes the show less appealing.
Police Violence Commentary: Another NYPD Murder — Two Decades Ago
To be killed — as in murdered — by police you don’t necessarily have to be a person of color.
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