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I want to gird you, readers, for the insanity and beauty of Annette
CSC pulled out all the stops for its turn at The Tempest, bringing together a cast that is more than up to the challenge of knitting together poignant drama and madcap comedy.
The sophomore season of the Apple TV + hit comedy is even more winning than its first.
I felt at times that I was listening to the Italian equivalent of a Broadway musical, though a serious rather than jolly one.
BMOP’s performances of three John Adams chamber symphonies, all conducted by music director Gil Rose, offer welcome, distinctive takes on the triptych.
Both Newport festivals rose to the challenge of restoring live music in a year that made it difficult and welcome.
This wonderfully eclectic show is a post-pandemic invitation to forge new connections and open up fresh conversations.
Contra-Tiempo sees the pandemic as an invitation for transformation: the performance questioned who we are, how do we move among each other, and what gives us joy.
The Norwegian soprano’s execution of the vocal line in Luonnotar is nothing short of astounding.
Film Feature: Best of American Film Noir, 1940-1959 — An International Poll
The results of a Facebook contest for the Best of American Film Noir, 1940-1959
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