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There were no performers who possessed more talent than singer-songwriter Nanci Griffith in the 1980s and early ’90s, when she was at her remarkable best.
Both King Crimson and The Zappa Band made the best of treating old catalogs as historical repertory.
Martyrs Lane doesn’t unfold like a typical ghost story; it’s more of a mystery seen through a child’s eyes.
The film catches the rhythms and vulnerabilities of real life when two worlds collide.
“In these plays, part of my job is to unflatten history in a way that’s engaging, and also shows us that it’s okay for us to feel overwhelmed and confused and scared by the world — that we’re not so different from the people who came before us. They got through it, and we will, too.”
Afterlife of the Party backs away from serious issues, but it’s a sweet reminder of the power of female friendship.
Chopin masterpieces, Rossini duets, and songs, spirituals, and arias — all performed in ways that make the music dazzle.
The late Friederike Mayröcker’s über-recognizable style has become a brand, logoed by certain objects: violets, lilacs, birds
The Card Counter collapses under the weight of director Paul Schrader’s guilt complex.
Arts Fuse writers continue their countdown of great music celebrating its 50th anniversary this year. This month’s list includes such big names as Bob Dylan, ZZ Top, The Who, The Beach Boys, and George Rochberg.
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