Featured
Is what we see real or in the spirit world? Whatever, I cheer on filmmaker David Lowery’s luminous time-traveling. Pure cinema poetry.
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Like Blinky in Pac-Man, the narrator of this provocative but often frustrating and diffuse book gobbles up everything.
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The painter Albert Pinkham Ryder points a way towards materials, not just as a means or a substrate, but as a phenomenology, as a basis for a reflective life.
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I want to gird you, readers, for the insanity and beauty of Annette
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CSC pulled out all the stops for its turn at The Tempest, bringing together a cast that is more than up to the challenge of knitting together poignant drama and madcap comedy.
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The results of a Facebook contest for the Best of American Film Noir, 1940-1959
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The sophomore season of the Apple TV + hit comedy is even more winning than its first.
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I felt at times that I was listening to the Italian equivalent of a Broadway musical, though a serious rather than jolly one.
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BMOP’s performances of three John Adams chamber symphonies, all conducted by music director Gil Rose, offer welcome, distinctive takes on the triptych.
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Theater Commentary: Is It the Right Time for “Our Town”?
These days, I’m not in a mood to be comforted in the theater by either toasting or roasting chestnuts.
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