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The Big Payback doesn’t exhibit a clear slant either way: it simply tells the tale of how a bill asking for reparations came to be, along the way highlighting how past injustice shapes present inequities.
I’m going to try out a new format in 2023. Along with posting longer reviews of single series, I will also be experimenting with a new (weekly!) format where I include several features in one column.
This trio of beautifully-illustrated children’s books offer journeys into science that rival science fiction.
George Takei’s musical, Allegiance, projects American democracy as it might have become.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
M3GAN is a movie algorithmically generated to spawn as many memes about itself as possible before undiscerning viewers realize what they’re watching is a reworked Black Mirror draft.
Ted Olson continues bringing important location recordings of early American music back to light.
Many of the entries in Symbionts do not question scientific worldviews as much as attempt to validate art in a world ruled unquestionably by science.
Justin Dello Joio’s Concerto for Piano and Orchestra, written especially for pianist Garrick Ohlsson, creates an emotionally satisfying canvas out of thorny harmonies and astringent lyricism.
Arts Commentary: We Will Have to Eat Our Spinach — And Like It
Given that the Climate Emergency will grow more challenging over time, we (including literary novelists) shouldn’t be so cavalier about not eating our spinach.
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